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Therese at three and a half - July 1876
A letter from Mme Martin to her daughter Pauline dated July 16, 1876,
informs us that three successive poses had to be taken on that occasion
because Therese moved quite a bit during the taking of the picture.
'Although she ordinarily had a happy expression on her face, she was
pouting then because she was close to tears, and we had to keep encouraging
her.'
Therese at eight with her sister Celine - 1881
Therese, shown here with a jumping rope in her hand, was eight,
while
Celine was twelve.
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Therese at thirteen - February 1886
Therese is thirteen years old in this picture. She has already been cured
of the strange and crippling illness which struck her in 1883,
and at the
end of this year she was to experience her 'Christmas conversion',
that
instant maturity which marked the end of her childhood sensibility.
Therese at fifteen
Therese is photographed with her hair knotted on top of her head,
the
coiffure she adopted for the first time to make herself appear older
when she
visited Bishop Hugonin on October 31, 1887.
Although it might appear that the
picture was taken at that time
Celine's notes inform us it was taken in
April, 1888,
a few days before Therese's entrance into Carmel.
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Therese as a novice - January 1889
Taken in January of 1889, some days after Therese's clothing
with the
religious habit, which occurred on January 10th of that year.
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Therese in meditation in the courtyard of Lourdes - 1894
The nuns are seated in the Lourdes grotto.
The grotto no longer
exists in the Carmel today,
but it was near the site of the present
chapel
where Therese's body is now kept.
Therese as Joan of Arc in prison
Taken between January 21, 1895, and the spring of that same year.
Therese as Joan of Arc during her vision of St Margaret
Taken between January 21, 1895, and the spring of that same year.
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The community at recretion in the chestnut walk
Taken sometime after February 5, 1895,
the community is gathered in
the walk of the Chestnut trees,
which have been recently pruned.
The
majority of these trees are still standing,
including the third tree form
the right on which the word MOTHER can be seen.
The hermitage of the Holy
face is behind the trees on the left,
and the original cemetery of the
convent is in the middle rear of the picture.
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Therese at recreation
Therese appears a little more stout in this photograph,
which perhaps
can be explained by the angle at which the picture was taken. However, Celine
was very satisfied with this picture.
'You see her as she was', she
said.
The community on the cloister porch
Taken in the cloister porch between February 5, 1895,
and the end of
July in the same year.
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The community at the wash - 1895
All of the nuns, with the exception of Sister Marie Emmanuel, who is standing at the extreme left, have removed the extra veil worn over their heads. They are wearing aprons, and they have rolled up their three sets of sleeves. During the actual washing at the convent, the nuns worked in relays, some doing the wash here in the laundry, while others took the clothes outside to thrash them with paddles like the one Therese holds in her hand. However, for this photograph they have all assembled in the laundry at the same time, which explains why they seem so crowded.
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Therese standing in the cloister courtyard - March 17, 1896
At the Process for the Canonization, Celine testified : 'After I had photographed the novices, I also took her portrait. She wanted to hold in her hand a scroll on which had been written the words of our holy Mother Saint Teresa : 'I would give a thousand lives to save a single soul'. '
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The community haying - July 1896
The community is haying in the meadow which stretches beside the chestnut
walk. As is customary when they do heavy work, the nuns have pinned up
the
outer fold of their habits. Therese moved, and her face is quite blurred.
However, her picture is still very interesting, particularly the vigorous
manner
in which she is holding the pitchfork.
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Therese holding a rosary - July 1896
Therese had already been sick for several months. The picture was taken by Celine in the courtyard ouside the sacristy. But she was dissatisfied with the pose, as she wrote in her notes: 'Her character was strong and virile, but now she appeared timorous and fearful, and I was very much dissatisfied.'
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Therese holding a lily - July 1896
The picture was taken in the same sacristy courtyard.
'I made her
straighten up', Celine writes, 'and I asked her to face the camera
and put on the expression she had in the picture the photographer took
of the two of us when she was eight. After she complied with my
instructions,
I snapped the picture, without paying any attention to the
arrangement
of her habit. I was satisfied with this picture,
as far as
we can be satisfied with a photograph.'
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Therese as sacristan, with her sisters and cousin - November 1896
The photograph was taken in the sacristy courtyard. Therese held the office of sacristan until June, 1892, but she was reappointed for a short time after the community elections of March 21, 1896.
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Therese with the holy pictures - June 7, 1897
The setting is again the sacristy courtyard. The two pictures Therese is
holding are the Holy Face of Tours and the Infant Jesus, pictures which she kept
in her breviary and which in some way summarize her spirituality. On June 3, a
few days earlier, Therese had started the final section of her autobiography.
Since Therese's early death was now beyond doubt, her sisters wanted
this
photograph, and the two following ones, as a final remembrance
of her
appearance. The pictures were given to Mother Gonzague
for the feast day,
June 21.
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Therese lying ill in the cloister - August 30, 1899
This is the last photograph of the Saint, taken exactly one month before
her death. She is arranged in the cloister walk on a long reclining chair.
Therese is wearing a simple night veil on her head, and over that
a cap
of white wool. The two straps of the small night scapular
can be seen around
her neck. Illness has made her face almost unrecognisable.
![]() |
Therese in death in the infirmary
In her memoirs, Celine informs us that she took a photograph of Therese
in the infirmary on October 1,1897, before the removal of the body.
While
Celine admitted that the photograph captured her sister's 'heavenly smile', she
did not, on the whole, like it because of the irregular play of lights and
shadows.
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